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- rating=8,5 of 10 Star
- creators=Nora Ephron
- Spanning a long decade of inconclusive debates and logical arguments on the ever-present question of whether men and women can be just friends, the successful political consultant, Harry Burns, and the New York City journalist, Sally Albright, still haven't found the answer. Against the backdrop of a strictly platonic friendship peppered with intense love/hate moments, Harry and Sally stubbornly refuse to accept that they are the perfect match, even though they love to banter when they are not bickering. Now, after all this time, they still find themselves before this complex ongoing problem. Will the best friends stop denying the pure magnetism that prevailed ever since Harry met Sally?
- release Date=1989
This movie has a very good vibe to it in November. “Are you okay? ” Harry asks Sally as she starts moaning across the table from him at a crowded New York deli. Billy Crystals character doesnt know it yet, but his best friend (played by Meg Ryan) is about to win an argument in an unusual way. “Oh, God, ” Sally says, running her hand through her golden curls and down her neck, tossing her head back as her moans get louder. Harry puts his sandwich down, a look of defeat on his face as he realizes hes about to watch his best friend prove him wrong — by demonstrating in public that, yes, women fake orgasms. Just watch and listen, buddy. Youll see how hard it is to tell if someones pleasure is real, or manufactured for your own satisfaction. Sally smacks her hand on the table, yelling “Yes! Yes! Yes! ” as the other diners turn to watch. Sally caps it off with a triumphant bite of coleslaw and a smile. The scene lasts only three minutes, but its impact has endured for decades, as the film “When Harry Met Sally. marks its 30th anniversary Friday. The scenes punchline — “Ill have what shes having, ” uttered by Estelle Reiner, mother of the films director, Rob Reiner — ranks 33rd on the American Film Institutes list of the 100 greatest movie quotes of all time. “The orgasm scene became bigger than the movie it came from, ” Washington Post columnist Richard Cohen wrote in a book about his friendship with Nora Ephron, who wrote “When Harry Met Sally. ” It was the moment women realized this thing they were doing in private was, in fact, universal. It was the first time many men learned about the charade. But it also gave viewers a specific, and perhaps skewed, picture of how pleasure should look and sound. Not everyone understood the joke. “When the scene was shown to a Las Vegas convention of movie distributors, the men in the room did not react at all. They didnt get it, ” Cohen wrote. “The women, however, did. They laughed, and their laughter became infectious until, one by one, the men joined in. ” It was not clear to Ephron, Cohen wrote, “whether the women had, in effect, given the men permission to laugh, or whether the men were being told that something up on the screen was funny and they had better laugh or look stupid. ” Jennifer Gunter recalled a similar reaction when she saw the film as a 22-year-old medical student in Canada. The women in the theater exploded in laughter, while the men were silent. “It was a really cool moment, ” said Gunter, who is an obstetrician, gynecologist and author of “ The Vagina Bible. ” Gunter thinks the scene was incredibly validating for women — it gave more of them permission to talk about their lack of satisfaction in the bedroom. “Even if it doesnt make a woman feel that she can have a conversation with her partner, ” Gunter said, “just knowing that youre not the only person doing something is incredibly powerful. ” Few people realize the scene wasnt Ephrons idea but a group effort: Reiner felt the movie needed to reveal a surprising truth about women that made men deeply uncomfortable, notes Erin Carlson, a journalist and author of “ Ill Have What Shes Having: How Nora Ephrons Three Iconic Films Saved the Romantic Comedy. ” Oddly enough, the films producers girlfriends sister — model and actress Dani Minnick — was the one who suggested Harry and Sally discuss women faking orgasms. Ryan said Sally should act out a climax in a public place. And Crystal came up with “Ill have what shes having” and suggested that Reiners mother say it. Ephron loved the idea, and it went into the script. However, filming it was no easy task. Ryan was “anxious and worried about what her then-boyfriend, Dennis Quaid, would think, ” Carlson wrote in an email. (Ryan and Crystal declined interviews for this story, and Reiner did not respond to an email. Ryans performance was underwhelming at first, Carlson noted, so Reiner acted out what he wanted. Carlsons book notes that it took around 30 takes to get the fake orgasm right. “Megs faux orgasm was not only comedy but a transcendent, transgressive response to Harrys hyperverbal macho arrogance, ” Carlson wrote in an email. “Oh, Harry thinks he knows everything about women, does he? Well, Ill show him whos boss. By turning the tables on Harry, the feminist Sally evens the playing field. This is a romantic comedy about love between equals. While Harry cracks more jokes, Sally steals the show. ” The scene has made an impact on young feminists. Lux Alptraum was 6 years old when the film came out and did not see it until her late 20s. Still, she knew of the scene long before she saw the movie. And while she was writing a book called “ Faking It: The Lies Women Tell About Sex — And the Truths They Reveal, ” she was living on the Lower East Side of Manhattan, near Katzs Delicatessen, where the orgasm scene was filmed. On Friday, to honor the anniversary, the deli is hosting a contest where fans can reenact the iconic scene — at the same table where Harry and Sally sat. Jake Dell, the delis owner, told the New York Post that customers frequently do their own Sally impressions. “It happens at least once a week, if not more, and more likely at 3 in the morning than 3 in the afternoon, ” Dell said. “Its from men, women, people young and old. Weve seen everyone do it. ” For all the boundaries that scene broke, there are a few it didnt. For example, Harry and Sally do not discuss the reasons someone might fake an orgasm. “Maybe its because sex is not about orgasm for her, ” Alptraum acknowledged, “but her partner does not accept this as an outcome and oftentimes because of her partners ego it might feel incumbent upon her to effectively produce an orgasm whether or not she wants one. And therefore faking it become a really useful tool. ” The same discomfort is made clear in a 1993 “Seinfeld” episode in which Elaine Benes (Julia Louis-Dreyfus) admits she never had an orgasm with Jerry Seinfeld when they dated. Jerrys biggests concern wasnt over whether she still enjoyed herself — it was about how Elaines faking affected his ego. Alptraum thinks that pop cultures focus on orgasm as the barometer of pleasure is not always helpful. “Its a kind of clumsy way of trying to point to a much fuzzier and more difficult-to-quantify concept, which is that womens pleasure is not prioritized during sex. Thats the real issue, but I dont know that orgasm itself is inherently the best measure of female pleasure or anybodys pleasure. ” Movies play such a large role in shaping our ideas about sex, Gunter said — and the Katzs scene in “When Harry Met Sally. ” especially at the time, was the rare one that presented a particularly female perspective. But the conversation the movie started is one couples are still tripping over. Gunters book asserts that only half of women are satisfied with their sex lives, and couples find it hard to discuss ways to address that. If Ephron were around to write an update today, what sex-related problem would Harry and Sally discuss? “Millennials distracted by their digital devices, ” Carlson posited, and “not having enough sex. ” READ MORE.
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Looking to watch ' When Harry Met Sally. on your TV or mobile device at home? Finding a streaming service to buy, rent, download, or view the Rob Reiner-directed movie via subscription can be confusing, so we here at Moviefone want to take the pressure off. We've listed a number of streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of 'When Harry Met Sally. on each platform. Now, before we get into the nitty-gritty of how you can watch 'When Harry Met Sally. right now, here are some details about the Castle Rock Entertainment romantic comedy flick. Released 1989, When Harry Met Sally. stars Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby The R movie has a runtime of about 1 hr 35 min, and received a score of 76 (out of 100) on Metacritic, which collated reviews from 17 top critics. Want to know what the movie's about? Here's the plot: In 1977, college graduates Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) share a contentious car ride from Chicago to New York, during which they argue about whether men and women can ever truly be strictly platonic friends. Ten years later, Harry and Sally meet again at a bookstore, and in the company of their respective best friends, Jess (Bruno Kirby) and Marie (Carrie Fisher) attempt to stay friends without sex becoming an issue between them. When Harry Met Sally. is currently available to rent, purchase, or stream via subscription on, and iTunes Store.
My mom heard the moaning and nearly killed me 😂😂 omg. When Harry Met Sally. Movie stream online. Youtube streaming sucks. It got stuck loading and wouldn't play. Wow - I'm in love with Jennifer Aniston <3 her body is #GOALS. This was the best scene ever😔❤️. She's all that was literally the first movie that I thought of when I saw the title for this vid. its the quint essential ugly duckling story. And should have been number one not relegated to honorable mention status. Oh yeaaaaaaah. When harry met sally full movie stream free.
When Harry Met Sally. Movie stream new.
Background The witty and likeable, lightweight, old-fashioned romantic comedy, When Harry Met Sally. 1989) was intended to answer the sexual politics question: Can two friends sleep together and still love each other in the morning? The engaging, episodic film keenly observes romance, relationships between males and females, friendship and sex. Two long-time acquaintances Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) grapple with this question over a 12-year period (beginning in the spring of 1977) as their relationship grows and matures. Their love is not "at first sight" but takes years to develop. [Note: Their contrasting names reflect their polar-opposite attitudes toward life: the dark, angst-driven, eternally pessimistic but warm nature of the male, with the bright-eyed, perky, fresh-faced, effervescent and happier character of the female. In fact, Harry says early on, When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side. He is basically sexist and irascible, while she fights back in a persnickety, eccentric, feminist way. ] The film's sole Academy Award nomination was for Nora Ephron's Best Original Screenplay - written directly for the screen - it lost to Tom Schulman's script for director Peter Weir's Dead Poets Society. [Note: Ephron would go on to write and direct other romantic comedies, including Sleepless in Seattle (1993) with Rob Reiner in an acting role) and You've Got Mail (1998) both with Meg Ryan and Tom Hanks. The respective films were updates of the two classics: Leo McCarey's An Affair to Remember (1957) and Ernst Lubitsch's The Shop Around the Corner (1940. The film also features the music of Sinatra reincarnation Harry Connick, Jr. This was one of cinematographer Barry Sonnenfeld's last efforts in that role - he went on to direct The Addams Family (1991) his directorial debut film) and Addams Family Values (1993) Get Shorty (1995) and Men in Black (1997) among others. The solid lead roles and the supporting performances of the leads' best friends were neglected for Oscar consideration: Carrie Fisher as Marie and Bruno Kirby as Jess. Director Rob Reiner directed this smart, modern-day 'screwball comedy' his fifth film) of the semi-autobiographical tale - it was compiled from the shared recollections of actual romances. Reiner's first four films include the satire of rock documentaries titled This is Spinal Tap! 1984) the teen romantic comedy The Sure Thing (1985) the youthful drama Stand By Me (1986) and the delightful fantasy The Princess Bride (1987. In 2004, the film was adapted for the stage by Marcy Kahan, and opened in London with leads Luke Perry and Alyson Hannigan. The summer of 1989's 'sleeper' film has a number of startling resemblances to Woody Allen's witty, urban romance Annie Hall (1977) the title credits (with a black background and white text) along with the film's title song "It Had to Be You" sung by Diane Keaton in Allen's film) being played on a piano, direct camera interviews-testimonials, split-screen techniques, the Manhattan backdrop (including the fall foliage) evocative George Gershwin tunes, obsessive talk about sex and death, the romance between a Jew and non-Jewish woman (shiksa) and Harry and Sally's first meeting in 1977 - is the year the similar film was released. The film's ending parallels Allen's Manhattan (1979. However, the two films also differed: When Harry Met Sally. illustrated how friends can ultimately realize that they're better as lovers, while Annie Hall (1977) showed how lovers may end up better as friends. The title of the film was spoofed in Dumb and Dumberer: When Harry Met Lloyd (2003. The Story The film opens with an older couple sitting on a love seat. [This is the first of many such pseudo documentary-style scenes of recollections of older couples describing how they first met. They are actors in the roles. Speaking about his successful marriage, the balding husband talks directly into the camera with his white haired wife next to him: I was sitting with my friend Arthur Kornblum, in a restaurant, it was a Horn and Hardart Cafeteria, and this beautiful girl walked in. he gestures toward his wife. and I turned to Arthur and I said, Arthur, you see that girl? I'm going to marry her. And two weeks later we were married. And it's over fifty years later and we're still married. UNIVERSITY OF CHICAGO - 1977 The film fades into a scene on a university campus. In close-up, a couple, twenty-six year old Harry Burns (Billy Crystal) and his twenty-year old girlfriend Amanda Reese (Michelle Nicastro) are confiding their love to each other and kissing madly. They are oblivious when a yellow station wagon drives up behind them with twenty-one year old Sally Albright (Meg Ryan) Amanda's pal. After their college graduation, Sally is driving Harry, her best friend's boyfriend, to New York from their school in Chicago - it will be an 18 hour trip. Sally is blonde, smiley, clean-living, structured and very organized in an uptight way and she has already planned the entire trip: I have it all figured out. It's an eighteen-hour trip, which breaks down into six shifts of three hours each. Or alternatively, we could break it down by mileage. There's a, there's a map on the visor that I've marked to show the locations where we can change shifts. On the other hand, Harry is more of a slob, as he demonstrates by eating grapes and forgetting to roll down the window when he spits out a grape seed. They immediately take a dislike to each other. Because they have a long trip ahead of them, Harry asks: Why don't you tell me the story of your life. Sally is a would-be journalist who is to "go to journalism school to become a reporter. and she wants to make a start in Manhattan. By contrast, Harry has "a dark side" and is obsessed with death, but Sally is "one of those cheerful people who dot their 'i's' with little hearts. " Harry: When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side. Sally: That doesn't mean you're deep or anything. I mean, yes, basically I'm a happy person... Harry: So am I. Sally. I don't see that there's anything wrong with that. Harry: Of course not. You're too busy being happy. Do you ever think about death? Sally: Yes. Harry: Sure you do. A fleeting thought that drifts in and out of the transom of your mind. I spend hours, I spend days... Sally. and you think this makes you a better person? Harry: Look, when the s- t comes down, I'm gonna be prepared and you're not, that's all I'm saying. Sally: And in the meantime, you're gonna ruin your whole life waiting for it. As in Woody Allen's Play It Again, Sam (1972) the opinionated Harry is also obsessed with the film Casablanca (1942) and they argue about it (in voice-over. expressing their two contrary perspectives about the film's finale. Her practical choice, later denied, is that she would prefer to leave with Victor Laszlo rather than stay with the self-sacrificing, romantic hero Rick (Humphrey Bogart) Harry: He wants her to leave. That's why he puts her on the plane. Sally: I don't think she wants to stay. Harry: Of course she wants to stay. Wouldn't you rather be with Humphrey Bogart than the other guy? Sally: I don't want to spend the rest of my life in Casablanca married to a man who runs a bar. That probably sounds very snobbish to you, but I don't. Harry: You'd rather be in a passionless marriage - Sally. and be the First Lady of Czechoslovakia - Harry. than live with the man. you've had the greatest sex of your life with, just because he owns a bar and that is all he does. Sally: Yes, and so would any woman in her right mind. Women are very practical. Even Ingrid Bergman, which is why she gets on the plane at the end of the movie. As they enter a roadside cafe, Harry demonstrates his sexist and argumentative nature. Soon, Sally is debating the odds of having great sex with a guy named 'Sheldon' while they order a dinner meal. She is compulsively concerned about how her food should be prepared: Harry: Obviously, you haven't had great sex yet... Sally: It just so happens that I have had plenty of good sex. Sally's infuriated response is so loud that other customers stop eating to notice her response. ) Harry: With whom did you have this great sex? Sally: embarrassed) I'm not going to tell you that! Harry: Fine. Don't tell me. Sally: Shel Gordon. Harry: Shel. Sheldon? No, no. You did not have great sex with Sheldon. Sally: I did too. Harry: No, you didn't. A Sheldon can do your income taxes. If you need a root canal, Sheldon's your man, but humpin' and pumpin' is not Sheldon's strong suit. It's the name. 'Do it to me, Sheldon. ' You're an animal, Sheldon. Ride me, big Sheldon. It doesn't work. Waitress: What can I get you? Sheldon: I'll have the Number Three. Sally: I'd like the chef salad, please, with the oil and vinegar on the side. And the apple pie a la I'd like the pie heated, and I don't want the ice cream on top. I want it on the side. And I'd like strawberry instead of vanilla if you have it. If not, then no ice cream, just whipped cream, but only if it's real. If it's out of a can, then nothing. Waitress: Not even the pie? Sally: No, just the pie. But then not heated. Curious about her relationship with Sheldon but also feigning disinterest, Harry pursues the issue further: Harry: So how come you broke up with Sheldon? Sally: How do you know we broke up? Harry: Because if you didn't break up, you wouldn't be with me, you'd be off with Sheldon the Wonder Schlong. Sally: First of all, I am not with you. And second of all, it is none of your business why we broke up. Harry: You're right, you're right. I don't want to know. Sally: Well, if you must know, it was because he was very jealous and I had these Days of the Week underpants. Harry: He makes a loud buzzer sound) I'm sorry. I need a judge's ruling on this. Days of the Week underpants? Sally: Yes. They had the days of the week on them, and I thought they were sort of funny - and then one day, Sheldon says to me, You never wear Sunday. He's all suspicious. Where was Sunday? Where had I left Sunday? And I told him, and he didn't believe me. Harry: What? Sally: They don't make Sunday. Harry: Why not? Sally: matter-of-factly) Because of God. After Sally has finished figuring out her portion of the bill and tip that she will pay, by using a calculator, Harry just stares at her and flirtatiously remarks how attractive she is: Harry: smiling) You're a very attractive person. Sally: suspicious) Thank you. Harry: Amanda never said how attractive you were. Sally: Well, maybe she doesn't think I'm attractive. Harry: I don't think it's a matter of opinion. Empirically, you are attractive. (She gets up. ) Sally: astonished) Amanda is my friend. Harry: So? Sally: So, you're going with her. Sally: So, you're coming on to me. Harry: No I wasn't. (With disbelief, she stares at him. ) As they leave the diner, Sally defensively believes he is "coming on" to her. To carry his line of reasoning further - to get her riled up and to argue his point - Harry proposes going to bed with her. Ultimately, Harry believes that men and women cannot be friends, because sex will always interfere. [This is a classic discussion of the film's main question: Can a man and a woman ever be 'just friends. Harry: What? Can't a man say a woman is attractive without it being a come-on? All right, all right. Let's just say, just for the sake of argument, that it was a come-on. What do you want me to do about it? I take it back, OK? I take it back. Sally: You can't take it back. Sally: Because it's already out there. Harry: Oh jeez. What are we supposed to do? Call the cops? It's already out there! Sally: Just let it lie, OK? Harry: Great! Let it lie. That's my policy. (They get into the car. ) That's what I always say. Let it lie. Want to spend the night in a motel? She glares at him. You see what I did? I didn't let it lie. Sally: Harry - Harry: I said I would and I didn't. I went the other Sally: We are just going to be friends, OK? Harry: Great, friends. It's the best realize, of course, that we can never be friends. Sally: Why not? Harry: What I'm saying is - and this is not a come-on in any way, shape, or form - is that men and women can't be friends, because the sex part always gets in the way. Sally: That's not true. I have a number of men friends and there is no sex involved. Harry: No, you don't. Sally: Yes, I do. Harry: You only think you do. Sally: You're saying I'm having sex with these men without my knowledge? Harry: No, what I'm saying is they all want to have sex with you. Sally: They do not. Harry: Do too. Sally: How do you know? Harry: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her. Sally: So you're saying that a man can be friends with a woman he finds unattractive. Harry: No, you pretty much want to nail them, too. Sally: What if they don't want to have sex with you? Harry: Doesn't matter, because the sex thing is already out there, so the friendship is ultimately doomed, and that is the end of the story. Sally: Well, I guess we're not gonna be friends, then. Harry: Guess not. Sally: That's too bad. You were the only person that I knew in New York. The camera tracks their car as it crosses the George Washington Bridge into New York City, and they arrive at Harry's destination near Washington Square. In an awkward moment of goodbye, they shake hands and part ways after an "interesting" ride: Harry: It was nice knowin' ya. Sally: Yeah. (They shake hands - and she waves. After walking to the car door, she turns. Well, have a nice life. Harry: You too. As an interlude, a second direct-camera interview is presented, with an even older couple sitting together on the same loveseat: Woman: We fell in love in high school. Man: Yeah, we were high school sweethearts. Woman: But then after our junior year, his parents moved away. Man: But I never forgot her. Woman: He never forgot me. Man: No, her face was burned on my brain. And it was thirty-four years later that I was walking down Broadway and I saw her come out of Toffinetti's. Woman: And we both looked at each other, and it was just as though not a single day had gone by. Man: She was just as beautiful as she was at sixteen. Woman: He was just the same. He looked exactly the same. FIVE YEARS LATER At La Guardia Airport in New York, another loving couple are kissing at one of the departure gates. Sally and her new boyfriend named Joe (Steven Ford. When Harry, now wearing a suit and tie, passes by the couple to catch a plane to Washington, he notices them, goes past, and then backs up. Joe, a lawyer, is an acquaintance of Harry's, who has become a political consultant. Although he greets Joe, Harry is unable to place Sally in his memory, but he looks quizzically at her after being introduced. When Harry boards the plane, she tells Joe about her distasteful memories of their college-era drive to New York: Sally: Thank God he couldn't place me. I drove from college to New York with him five years ago and it was the longest night of my made a pass at me, and when I said no - he was going with a girlfriend of mine - oh God, I can't remember her name. (jokingly) Don't get involved with me, Joe, I am twenty-six years old and I can't even remember the name of the girl I was such good friends with, I wouldn't get involved with her boyfriend. I said we could just be friends, and - this part I remember - he said that men and women could never really be friends. Do you think that's true? Joe: No. Sally: Do you have any woman friends, just friends? Joe: No, but I will get one if it's important to you. Finding themselves on the same plane and only one row apart, Harry overhears Sally's fussy ordering, and then suddenly places her: The University of Chicago, right. They renew acquaintances after he switches seats to be next to her. Both of them are in relationships - Sally has only known Joe for a month and she tells Harry: Neither one of us is looking to get married right now. " On the contrary, Harry, a crude and cynical womanizer who is "madly in love" is "embracing life" according to Sally) and getting married to Helen Hillson, a lawyer: Harry. just get to a certain point when you get tired of the whole thing. Sally: What whole thing? Harry: The whole life-of-a-single-guy. You meet someone, you have the safe lunch, you decide you like each other enough to move on to dinner, you go dancing, you do the white man's overbite, you go back to her place, you have sex, and the minute you're finished, you know what goes through your mind? How long do I have to lie here and hold her before I can get up and go home? Is thirty seconds enough? Sally: That's what you're thinking? Is that true? Harry: Sure. All men think that. How long do you like to be held afterwards? All night, right? See, that's the problem. Somewhere between thirty seconds and all night is your problem. Sally: I don't have a problem. Harry: Yeah, you do. While staying over in Washington, Harry proposes that they both have dinner together - as friends. As they stood on the moving escalator at the airport, he struggles to explain that he has an amendment to his earlier rule about relationships between men and women: Yes, that's right. They can't be both of them are involved with other people. Then they can. This is an amendment to the earlier rule. If the two people are in relationships, the pressure of possible involvement is lifted. That doesn't work either. Because what happens then is the person you're involved with can't understand why you need to be friends with the person you're just friends with, like it means something is missing from the relationship and wanted to go outside to get it. Then when you say, No, no, no, no, it's not true, nothing is missing from the relationship. the person you're involved with then accuses you of being secretly attracted to the person you're just friends with, which you probably are - I mean, come on, who the hell are we kidding, let's face it - which brings us back to the earlier rule before the amendment, which is men and women can't be friends. So where does it leave us? They both realize that they must not see each other and part ways again.
Does attraction invalidate the friendship. When harry met sally. movie streaming. When harry met sally full movie stream. ON BLU-RAY, DVD & DIGITAL When Harry Met Sally Harry and Sally have known each other for years, and are very good friends, but they fear sex would ruin the friendship. Cast Billy Crystal, Bruno Kirby, Carrie Fisher, Meg Ryan BUY Select retailer below. WHEN HARRY MET SALLY Blu-ray Product Details Audio: English 5. 1 DTS-HD Master Audio, Spanish Dolby Surround, French 5. 1 DTS Language: Subtitles: English SDH, Spanish, French Aspect Ratio: Widescreen 1. 85:1 * Theatrical Feature Blu-ray * Audio Commentary by Rob Reiner, Nora Ephron and Billy Crystal * How Harry Met Sally Documentary * Featurettes: It All Started Like This; Stories of Love; When Rob Met Billy; Creating Harry; I Love New York; What Harry Meeting Sally Meant; So, Can Men and Women Really Be Friends. Deleted Scenes * Music Video by Harry Connick Jr. Original Theatrical Trailer View less WHEN HARRY MET SALLY DVD RELATED MOVIES OTHER FOX MOVIES YOU MAY LIKE.
To celebrate the glory that is When Harry Met Sally. we've hand-picked 10 memorable quotes from the 1989 classic. From the famous Katz Delicatessen scene to Jess's and Marie's fight over the wagon wheel coffee table- we've pretty much covered the basics so you can recite these quotes as well as Harry and Sally can recite the lyrics to Surrey With a Fringe On Top! 10. "Oh, really? When I get a new book, I read the last page first. That way, if I die before I finish I know how it comes out. That, my friend, is a dark side. " Harry, When Harry Met Sally 9. "But I'd like the pie heated, and I don't want the ice cream on top, I want it on the side. And I'd like strawberry instead of vanilla if you have it. If not, then no ice cream, just whipped cream, but only if it's real. If it's out of a can, then nothing. " Sally, When Harry Met Sally 8. "They should put the two sections together, real estate and obituaries- Mr. Klein died today leaving a wife, two children, and a spacious three-bedroom apartment with a wood-burning fireplace. " Harry, When Harry Met Sally 7. "A woman friend. This is amazing. You may be the first attractive woman I have not wanted to sleep with in my entire life. " Harry, When Harry Met Sally 6. "Waiter, there is too much pepper on my paprikash. " Harry & Sally, When Harry Met Sally 5. "How much worse can it get than finishing dinner, having him reach over, pull a hair out of my head, and start flossing with it at the table? -Sally, When Harry Met Sally 4. "I want you to know that I will never want that wagon wheel coffee table. " Marie, When Harry Met Sally 3. "To Harry and Sally. If Marie or I had found either of them remotely attractive we would not be here today. " Jess, When Harry Met Sally 2. "I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible. " And of course... 1. "I'll have what she's having. " Older lady customer at Katz' When Harry Met Sally (Played, famously, by Rob Reiner's mother...
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“Draw something resembling anything!”, best line in any movie ever
When Harry Met Sally. Movie streaming.
When Harry Met Sally...
When Harry Met Sally is a character driven romantic drama about two platonic friends who struggles to see the affection for each other. The chemistry is decent enough to charm their way out, but fortunately it doesn't need to since its writing is the protagonist in itself.
The flirty talk, hilarious topics and references, makes the pragmatic conversations thoroughly entertaining and electrifying. Addition to that, Crystal's comic timing and Ryan's support to him, blends in aptly. The structure of the feature is newer and fresh that is respected equally as much as the characters have been.
The little nuances like fiddling with the props around the scene and a brief love track narrated by various couple in an interview is just pure delight. Reiner's world is brimmed with such sweet innuendos that makes it utterly pleasing with a big smile on the face that stays with the audience long after the curtain drops.
The background score is a bit disappointing along with the sound department although the cinematography (like the phone call between Harry and Sally) play a vital role in storytelling and has fine editing.
It is shot with bright and light colors spread across the whole screen that is appealing for the viewers from the first frame. As mentioned earlier, the performance is decent if not anything extraordinary especially by the lead cast Crystal and Ryan.
Reiner's execution is unfortunately chalky around the edges but with a sincere heart at the center of it, it sails off the shore safely. Smart and funny conversation, simple and sensible track and, a safer perspective are the high points of the feature.
When Harry Met Sally is a sophisticated love track on context of its subjective procedure that even respects the space of audience.
Billy cristal es un cague de risa jajaja. YouTube. One of the best scripts ever, performed by the best in the business. When Harry Met Sally… Theatrical release poster Directed by Rob Reiner Produced by Rob Reiner Andrew Scheinman Nora Ephron Written by Nora Ephron Starring Billy Crystal Meg Ryan Carrie Fisher Bruno Kirby Music by Marc Shaiman Harry Connick Jr. Cinematography Barry Sonnenfeld Edited by Robert Leighton Production company Castle Rock Entertainment Nelson Entertainment Distributed by Columbia Pictures Release date July 21, 1989 Running time 96 minutes Country United States Language English Budget 16 million Box office 93. 1 million When Harry Met Sally. is a 1989 American romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years of chance encounters in New York City. The film raises the question "Can men and women ever just be friends. and advances many ideas about relationships that became household concepts, such as "high-maintenance" 1] and the "transitional person. 2] The origins of the film were derived from Reiner's return to single life after a divorce. An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards performed by Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. Columbia Pictures released When Harry Met Sally. in select cities, letting word of mouth generate interest, before gradually expanding distribution. The film grossed 92. 8 million in North America. Ephron received a British Academy Film Award, an Oscar nomination, and a Writers Guild of America Award nomination for her screenplay. The film is ranked 23rd on AFI's 100 Years. 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies. In early 2004, the film was adapted for the stage in a production starring Luke Perry and Alyson Hannigan. Plot [ edit] In 1977, Harry Burns and Sally Albright graduate from the University of Chicago and share the drive to New York City, where Sally is beginning journalism school and Harry is starting a career. Harry is dating Sally's friend Amanda. During the drive, Harry and Sally discuss their differing ideas about relationships; Sally disagrees with Harry's assertion that men and women cannot be friends as "the sex part gets in the way. At a diner, Harry tells Sally she is attractive, and she angrily accuses him of making a pass at her. They part in New York on unfriendly terms. Five years later, Harry and Sally find themselves on the same flight. Sally is dating Harry's neighbor Joe, and Harry is engaged to Helen, which surprises Sally. Harry suggests they become friends, forcing him to qualify his previous position about the impossibility of male-female friendships. They separate, concluding that they will not be friends. Harry and Sally run into each other again in a bookstore five years later. They have coffee and talk about their previous relationships; Sally and Joe broke up because she wanted a family and he did not want to marry, and Harry's wife Helen left him for another man. They take a walk and become friends. They have late-night phone conversations, go to dinner, and spend time together, discussing their love lives. During a New Year's Eve party, Harry and Sally find themselves attracted to each other. Even though they remain friends, they set each other up with their respective best friends, Marie and Jess. When the four go to a restaurant, Marie and Jess become fast friends and later become engaged. Over the phone, Sally tearfully tells Harry that her ex is getting married. He rushes to her apartment to comfort her, and they have sex; Harry leaves the next morning distressed. Their friendship cools until a heated argument at Jess and Marie's wedding dinner. Harry attempts to mend his friendship with Sally, but she feels that they cannot be friends. At a New Year's Eve party that year, Sally feels alone without Harry by her side. Harry spends New Year's alone, walking around the city. As Sally decides to leave the party early, Harry appears and declares his love for her. She argues that the only reason he is there is because he is lonely, but he lists the many things he realized he loves about her. They kiss and marry three months later, exactly 12 years and three months after their first meeting. The plot also contains several interlaced segments throughout the film where fictitious older married couples narrate to the camera their stories of how they met. The last couple that is interviewed before the closing credits is Harry and Sally. Cast [ edit] Billy Crystal as Harry Burns Meg Ryan as Sally Albright Carrie Fisher as Marie Fisher Bruno Kirby as Jess Fisher Steven Ford as Joe Lisa Jane Persky as Alice Michelle Nicastro as Amanda Reese Kevin Rooney as Ira Stone Harley Kozak as Helen Hillson Estelle Reiner as Female Customer Production [ edit] In 1984, director Rob Reiner, producer Andy Scheinman and writer Nora Ephron met over lunch at the Russian Tea Room in New York City to develop a project. [3] Reiner pitched an idea for a film that Ephron rejected. [4] The second meeting transformed into a long discussion about Reiner and Scheinman's lives as single men. Reiner remembers, I was in the middle of my single life. I'd been divorced for a while. I'd been out a number of times, all these disastrous, confusing relationships one after another. 5] The next time they all met, Reiner said that he had always wanted to do a film about two people who become friends and do not have sex because they know it will ruin their relationship but have sex anyway. Ephron liked the idea, and Reiner acquired a deal at a studio. [3] For materials, Ephron interviewed Reiner and Scheinman about their lives, creating the basis for Harry. Reiner was constantly depressed and pessimistic yet funny. Ephron also got bits of dialogue from these interviews. [3] She worked on several drafts over the years while Reiner made Stand By Me and The Princess Bride. [4] Billy Crystal "experienced vicariously" Reiner's (his best friend at the time) return to single life after divorcing comedian/filmmaker Penny Marshall and in the process was unconsciously doing research for the role of Harry. [3] During the screenwriting process when Ephron would not feel like writing, she would interview people who worked for the production company. Some of the interviews appeared in the film as the interludes between certain scenes featuring couples talking about how they met, 3] although the material was rewritten and reshot with actors. [6] For example, in the scene where Sally and Harry appear on a split-screen, talking on the telephone while watching their respective television sets, channel surfing, was something that Crystal and Reiner did every night. [6] Originally, Ephron wanted to call the film How They Met and went through several different titles. Reiner even started a contest with the crew during principal photography: whoever came up with the title won a case of champagne. [4] In order to get into the lonely mindset of Harry when he was divorced and single, Crystal stayed by himself in a separate room from the cast and crew while they were shooting in Manhattan. [6] The script initially ended with Harry and Sally remaining friends and not pursuing a romantic relationship because she felt that was "the true ending" as did Reiner. [4] Eventually, Ephron and Reiner realized that it would be a more appropriate ending for them to marry, though they admit that this is generally not a realistic outcome. [7] When posed the film's central question, can men and women just be friends, Ryan replied, Yes, men and women can just be friends. I have a lot of platonic (male) friends, and sex doesn't get in the way. Crystal said, I'm a little more optimistic than Harry. But I think it is difficult. Men basically act like stray dogs in front of a supermarket. I do have platonic (women) friends, but not best, best, best friends. 8] Rob Reiner initially envisioned actress Susan Dey for the role of Sally Albright. When she declined, he later considered Elizabeth Perkins. He also considered casting Elizabeth McGovern. Molly Ringwald was almost cast, but Meg Ryan convinced Reiner to give her the role. Reiner's mother Estelle and daughter Tracy both played roles in the film. Katz's Delicatessen scene [ edit] Film still from the famous restaurant scene Katz's Deli still hangs this sign above the table. In a scene featuring the two title characters having lunch at Katz's Delicatessen in Manhattan, the couple are arguing about a man's ability to recognize when a woman is faking an orgasm. Sally claims that men cannot tell the difference, and to prove her point, she vividly (fully clothed) fakes one as other diners watch. The scene ends with Sally casually returning to her meal as a nearby patron (played by Reiner's mother) places her order: I'll have what she's having. When Estelle Reiner died at age 94 in 2008, The New York Times referred to her as the woman "who delivered one of the most memorably funny lines in movie history. 9] This scene was shot again and again, and Ryan demonstrated her fake orgasms for hours. [7] Katz's Deli still hangs a sign above the table that says, Where Harry met Sally. hope you have what she had. 10] 11] This classic scene was born when the film started to focus too much on Harry. Crystal remembers saying. We need something for Sally to talk about. and Nora said, Well, faking orgasm is a great one. and right away we said, Well, the subject is good. and then Meg came on board and we talked with her about the nature of the idea and she said, Well, why don't I just fake one, just do one. 3] Ryan suggested that the scene take place in a restaurant, 12] and it was Crystal who came up with the scene's classic punchline – "I'll have what she's having. 3] In 2005, the quote was listed 33rd on the AFI's 100 Years. 100 Movie Quotes list of memorable movie lines. Reiner recalls that at a test screening, all of the women in the audience were laughing while all of the men were silent. [4] In late 2013, Improv Everywhere, the New York City initiative behind the annual No Pants Day in the subways and various flash-mob stunts, convened and filmed a re-enactment in Katz's Delicatessen. While a look-alike couple performed the scene, 30 others joined as if it was contagious. Surprised staff and customers responded in appreciation. The film and follow-up interviews are public. [13] In October of the same year, Katz's invited Baron Von Fancy to display his ten-foot-high mural quoting the famous line in its pop-up gallery next door, The Space. [14] Soundtrack [ edit] The When Harry Met Sally. soundtrack album features American singer and pianist Harry Connick Jr. Bobby Colomby, the drummer for Blood, Sweat & Tears, was a friend of Reiner's and recommended Harry Connick Jr., giving the director a tape of the musician's music. Reiner was struck by Connick's voice and how he sounded like a young Frank Sinatra. The movie's soundtrack album was released by Columbia Records in July 1989. The soundtrack consists of standards performed by Harry Connick Jr. with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance. [15] Arrangements and orchestrations on " It Had to Be You. Where or When. I Could Write a Book" and "But Not for Me" are by Connick and Shaiman. Other songs were performed as piano / vocal solos, or with Connick's trio featuring Benjamin Jonah Wolfe on bass and Jeff "Tain" Watts on drums. Also appearing on the album are tenor saxophonist Frank Wess and guitarist Joy Berliner. The soundtrack went to #1 on the Billboard Traditional Jazz Chart and was within the top 50 on the Billboard 200. [16] Connick also toured North America in support of this album. [17] It went on to reach double-platinum status. [18] The music in the film is performed by various artists, such as Louis Armstrong and Ella Fitzgerald, Frank Sinatra, Ray Charles, Bing Crosby, and Harry Connick Jr. Reception [ edit] Box office [ edit] Columbia Pictures released the film using the "platform" technique which involved opening it in a few select cities letting positive word of mouth generate interest and then gradually expanding distribution over subsequent weeks. On its opening weekend, it grossed 1 million in 41 theaters. [19] Billy Crystal was worried that the film would flop at the box office because it was up against several summer blockbuster films, like Indiana Jones and the Last Crusade and Batman. [3] The film went into wide release on July 21, 1989, and grossed 8. 8 million on its opening weekend in 775 theaters. [19] This was later expanded to 1, 174 theaters and the film grossed a total of 92. 8 million in North America, well above its 16 million budget. [19] Critical response [ edit] When Harry Met Sally. received a 90% approval rating on the review aggregator Rotten Tomatoes based on 70 reviews, with an average rating of 8. 03/10. The website's critical consensus reads, Rob Reiner's touching, funny film set a new standard for romantic comedies, and he was ably abetted by the sharp interplay between Billy Crystal and Meg Ryan. 20] On Metacritic, the film has a score of 76 out of 100, based on 17 critics. [21] The film led Roger Ebert to call Reiner "one of Hollywood's very best directors of comedy" and said that it was "most conventional, in terms of structure and the way it fulfills our expectations. But what makes it special, apart from the Ephron screenplay, is the chemistry between Crystal and Ryan. 22] In a review for The New York Times, Caryn James called When Harry Met Sally. an "often funny but amazingly hollow film" that "romanticized lives of intelligent, successful, neurotic New Yorkers" James characterized it as "the sitcom version of a Woody Allen film, full of amusing lines and scenes, all infused with an uncomfortable sense of déjà vu. 23] Rita Kempley of The Washington Post praised Meg Ryan as the "summer's Melanie Griffith – a honey-haired blonde who finally finds a showcase for her sheer exuberance. Neither naif nor vamp, she's a woman from a pen of a woman, not some Cinderella of a Working Girl. 24] Mike Clark of USA Today gave the film three out of four stars, writing, Crystal is funny enough to keep Ryan from all-out stealing the film. She, though, is smashing in an eye-opening performance, another tribute to Reiner's flair with actors. 25] David Ansen provided one of the rare negative reviews of the film for Newsweek. He criticized the casting of Crystal, Not surprisingly he handles the comedy superbly, but he's too cool and self-protective an actor to work as a romantic leading man" and felt that as a film, of wonderful parts, it doesn't quite add up. 26] Accolades [ edit] Association Category Nominee Results Academy Award Best Original Screenplay Nora Ephron Nominated American Comedy award Funniest Actress in a Motion Picture Won Funniest Actor in a Motion Picture Funniest Supporting Actress in a Motion Picture ASCAP Film and Television Music award Top Box Office Films Marc Shaiman British Academy Film award Best Film Rob Reiner Best Screenplay - Original Casting Society of America award Best Casting for Feature Film, Comedy Jane Jenkins Janet Hershenson Chicago Film Critics Association award Best Actress David di Donatello award Best Foreign Director Best Foreign Actress Directors Guild award Outstanding Directorial Achievement in Motion Pictures DVD Exclusive award Best Audio Commentary Golden Globe award Best Motion Picture - Comedy or Musical Best Director - Motion Picture Best Screenplay - Motion Picture Best Lead Actress in a Motion Picture - Comedy or Musical Best Lead Actor in a Motion Picture - Comedy or Musical Writers Guild award Best Screenplay Written Directly for the Screen Legacy [ edit] Over the years, When Harry Met Sally. has become "the quintessential contemporary feel-good relationship movie that somehow still rings true. 27] Ephron still received letters from people obsessed with the film and still had "people who say to me all the time, I was having a Harry-and-Sally relationship with him or her. 27] The film is 23rd on AFI's 100 Years. 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies. 28] Entertainment Weekly named it as one of the Top 10 romantic movies of all time. [29] The magazine also ranked it 12th on their Funniest Movies of the Past 25 Years list. [30] The periodical also ranked it 7th on their 25 Best Romantic Movies of the Past 25 Years list [31] and #3 on their Top 25 Modern Romances list. [32] The film has inspired countless romantic comedies, including A Lot Like Love, 33] Hum Tum, 34] and Definitely, Maybe. [35] In addition, the film helped popularize many ideas about love that have become household concepts now, such as the " high-maintenance " girlfriend and the "transitional person. 36] ‘You can find traces of ‘When Harry Met Sally DNA in virtually every romantic comedy thats been made since, ” The A. V. Club noted. [37] In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1, 500 people from the creative community. When Harry Met Sally was acknowledged as the sixth best film in the romantic comedy genre. [38] It is also ranked #15 on Rotten Tomatoes ' 25 Best Romantic Comedies. [39] In early 2004, the film was adapted for the stage in a Theatre Royal Haymarket production starring Luke Perry and Alyson Hannigan. [40] Molly Ringwald and Michael Landes later replaced Hannigan and Perry for the second cast. [41] The film is recognized by American Film Institute in these lists: 2000: AFI's 100 Years. 100 Laughs – #23 [42] 2002: AFI's 100 Years. 100 Passions – #25 [43] 2004: AFI's 100 Years. 100 Songs: It Had to Be You " – #60 [44] 2005: AFI's 100 Years. 100 Movie Quotes: Customer: I'll have what she's having. – #33 [45] 2008: AFI's 10 Top 10: 6 Romantic Comedy Film [46] Home media [ edit] When Harry Met Sally. was first released on VHS in late 1989, a few months after its theatrical release. It was later re-released on VHS in 1994 as part of a Billy Crystal collection, 47] and in 1997 under the Contemporary Classics edition; the latter release included trailers that were not included in the original VHS release. It was released on DVD for the first time on January 9, 2001, and included an audio commentary by Reiner, a 35-minute "Making Of" documentary featuring interviews with Reiner, Ephron, Crystal, and Ryan, seven deleted scenes, and a music video for "It Had To Be You" by Harry Connick Jr. [48] A Collector's Edition DVD was released on January 15, 2008, including a new audio commentary with Reiner, Ephron, and Crystal, eight deleted scenes, all new featurettes ( It All Started Like This, Stories Of Love, When Rob Met Billy, Billy On Harry, I Love New York, What Harry Meeting Sally Meant, So Can Men And Women Really Be Friends. and the original theatrical trailer. [36] The film was released on Blu-ray on July 5, 2011 containing all of the special features found on the 2008 DVD release. [49] References [ edit] Michiko Kakutani. "From 'Happy Camper' to 'Out of Sight. The New York Times. Archived from the original on June 25, 2017. Retrieved February 23, 2017. "When Harry Met Sally" 1989) is credited with popularizing the phrase "high-maintenance. ^ Pasupathi, Vimala C (July 25, 2006. The Rhetoric of Love and Seduction. University of Texas at Austin. Archived from the original on April 2, 2007. Retrieved November 29, 2007. ^ a b c d e f g h Keyser, Lucy (July 25, 1989. It's Love at the box office for Harry Met Sally. Washington Times. ^ a b c d e "It All Started Like This. When Harry Met Sally. Collector's Edition DVD. 20th Century Fox. 2008. ^ Weber, Bruce (July 9, 1989. Can Men and Women Be Friends. Archived from the original on November 1, 2009. Retrieved September 23, 2007. ^ a b c Lacey, Liam (July 15, 1989. Pals make "buddy picture. The Globe and Mail. ^ a b Schwarz, Jeffrey (2000. How Harry Met Sally. When Harry Met Sally DVD. MGM. ^ Peterson, Karen S (July 17, 1989. When boy meets girl. USA Today. ^ Estelle Reiner, 94, Comedy Matriarch, Is Dead" Archived June 25, 2017, at the Wayback Machine. October 29, 2008. ^ 12 NYC Spots Used In Famous Movie Scenes: Katz's Delicatessen. Guest of a Guest. Archived from the original on December 24, 2013. Retrieved December 23, 2013. ^ Holden, Eric (April 1, 2013. Katz's Delicatessen: New York's Famous, Unique Deli. Yahoo! News. Retrieved December 23, 2013. ^ Ephron. speaking on BBC Radio 4 Archived July 13, 2013, at the Wayback Machine programme When Harry Met Sally At 20 Archived July 15, 2016, at the Wayback Machine (aired August 27, 2009) about 17 mins in ^ When Harry Met Sally In Real Life. November 12, 2013. Archived from the original on November 12, 2013. Retrieved November 12, 2013. ^ Eby, Margaret (November 6, 2013. Katz's Deli Gets Artsy. archived from the original on July 9, 2015, retrieved July 6, 2015 ^ Past Winners Search. The Recording Academy. Archived from the original on March 21, 2012. Retrieved January 9, 2008. ^ Jones, James T (December 28, 1989. Harry Connick Jr. He's All That Jazz. USA Today. ^ Miller, Mark (November 23, 1989. Brazilian rhythms with lots of appeal When Harry Met Sally. Harry Connick Jr. The Globe and Mail. ^ Bush, John. Biography. Legacy Recordings. Archived from the original on January 7, 2008. Retrieved June 15, 2008. ^ a b c "When Harry Met Sally. Box Office Mojo. November 29, 2007. Archived from the original on August 2, 2013. Retrieved November 29, 2007. ^ When Harry Met Sally (1989. Rotten Tomatoes. Archived from the original on August 29, 2013. Retrieved July 18, 2018. ^ When Harry Met Sally. Metacritic. Archived from the original on October 24, 2012. Retrieved February 5, 2016. ^ Ebert, Roger (July 12, 1989. When Harry Met Sally... Chicago Sun-Times. Archived from the original on September 30, 2007. Retrieved September 23, 2007. ^ James, Caryn (July 12, 1989. It's Harry (Loves) Sally in a Romance Of New Yorkers and Neuroses. Archived from the original on March 25, 2009. Retrieved September 23, 2007. ^ Kempley, Rita (July 12, 1989. Romance That Dances. The Washington Post. Archived from the original on November 5, 2012. Retrieved June 15, 2008. ^ Clark, Mike (July 12, 1989. Harry Met Sally is Reiner's next sure thing. USA Today. ^ Ansen, David (July 17, 1989. To Make True Lovers of Friends. Newsweek. ^ a b Tan, Cheryl Lu-Lien (February 16, 2001. When Harry Met Sally: For some, it's become a film icon. The Baltimore Sun. Archived from the original on March 3, 2016. Retrieved June 15, 2008. ^ Bravo's 100 Funniest Films. July 25, 2006. Archived from the original on January 6, 2009. Retrieved November 29, 2007. ^ Top 10 Romantic Movies. Entertainment Weekly. January 29, 2002. Archived from the original on June 21, 2013. Retrieved June 15, 2008. ^ The Comedy 25: The Funniest Movies of the Past 25 Years. August 27, 2008. Retrieved August 27, 2008. ^ 25 Best Romantic Movies of the Past 25 Years. September 11, 2008. Retrieved September 12, 2008. ^ Baldwin, Kristen; Brown, Scott; Burr, Ty; Cruz, Clarissa; Feitelberg, Amy; Fonseca, Nicholas; Kepnes, Caroline; Lee, Alice M. (February 8, 2002. Top 25 Modern Romances. Retrieved February 26, 2009. ^ Hobson, Louis B (April 22, 2005. Flick reminiscent of When Harry Met Sally. Calgary Sun. Archived from the original on June 24, 2013. Retrieved June 22, 2008. ^ Shariff, Faisal (May 27, 2004. Pehli nazar mein pehla pyaar is crap. The Rediff Interview/Kunal Kohli... Archived from the original on July 30, 2014. Retrieved June 25, 2008. ^ Rocchi, James (February 14, 2008. Review: Definitely, Maybe. Cinematical. Archived from the original on February 15, 2008. Retrieved June 22, 2008. ^ a b Karpel, Ari (January 11, 2008. When Harry Met Sally: Collector's Edition. Archived from the original on May 24, 2013. Retrieved June 15, 2008. ^ How Harry and Sally Revived Romance. The Attic. Retrieved January 7, 2020. ^ AFI's 10 Top 10. American Film Institute. June 17, 2008. Archived from the original on June 19, 2008. Retrieved June 18, 2008. ^ 25 Best Romantic Comedies. 2009. Archived from the original on December 27, 2012. Retrieved February 12, 2009. ^ Inverne, James (February 20, 2004. Hannigan and Perry's Harry and Sally Set to Face the London Press. Playbill. Retrieved November 26, 2007. ^ Inverne, James (May 17, 2004. Landes Joins Ringwald For London When Harry Met Sally. Retrieved November 26, 2007. ^ AFI's 100 Years. 100 Laughs" PDF. Archived (PDF) from the original on June 24, 2016. Retrieved July 17, 2016. ^ AFI's 100 Years. 100 Passions" PDF. 100 Songs" PDF. Archived (PDF) from the original on March 13, 2011. 100 Movie Quotes" PDF. Archived (PDF) from the original on March 8, 2011. Retrieved July 17, 2016. ^ AFI's 10 Top 10: Top 10 Romantic Comedy. Archived from the original on June 15, 2016. Retrieved July 17, 2016. ^ Billboard (May 21, 1994) page 55. ) Richter, Erin (January 12, 2001. When Harry Met Sally. Special Edition. Retrieved June 20, 2007. ^ Reuben, Michael (July 21, 2011. When Harry Met Sally Blu-ray Review. Archived from the original on September 18, 2012. Retrieved September 13, 2012. External links [ edit] When Harry Met Sally. on IMDb When Harry Met Sally. at AllMovie When Harry Met Sally. at Box Office Mojo When Harry Met Sally. at Rotten Tomatoes When Harry Met Sally. at Metacritic.
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Bottomline is that we (men) suppress our sexual urges pretty well until the right time comes. Hugh Grant is too beautiful in this.I cried not because of the film,i cried because i realized that i will never have him 😂. Harry Burns: Big Ten school. Older Woman Customer: I'll have what she's having. Jess: Marriages don't break up on account of infidelity. It's just a symptom that something else is wrong. Oh, really? Well, that symptom is fucking my wife! Why don't you tell me the story of your life? Sally Albright: The story of my life? We've got eighteen hours to kill before we hit New York. The story of my life isn't even going to get us out of Chicago, I mean nothing's happened to me yet. That's why I'm going to New York. So something can happen to you? Yes. Like what? I can go into journalism school to become a reporter. So you can write about things that happen to other people? I like saying its in the den its got a nice ring to it. Emily is terrific. Ya. Of course when I asked her where she was when Kennedy was shot she said "Ted Kennedy was shot? Ya. Of course when I asked her where she was when Kennedy was shot she said 'Ted Kennedy was shot? Baby Fish mouth, Baby fish mouth! Marie: I want you to know that I will never want that wagon wheel coffee table. Okay Fine. I Take it back. Okay Fine. I take it back. You can't take it back. It's Already out there. Oh Geez. Call the cops it's already out there. "I'll have what she's having. " Tomato tomato potato potato Tomato tomato potato potato. You see? That is just like you, Harry. You say things like that, and you make it impossible for me to hate you. Harry, you're going to have to try and find a way of not expressing every feeling that you have, every moment that you have them. It is so nice when you can sit with someone and not have to talk. When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible. But I would be proud... Harry Burns. partake... Sally Albright. partake... Harry Burns. your pecan pie. Sally Albright. your pecan pie. Waitress: I'll have what she's having.
What about You love me. Real od not real? Real. This item is not eligible for coupon offers. January 15, 2008 auto-inserted 09-17-2014 15:56:46 Overview Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends. They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You. " Product Details Release Date: 01/15/2008 UPC: 0883904099567 Original Release: 1989 Rating: R Source: Mgm (Video & Dvd) Region Code: 1 Presentation: Wide Screen] Time: 1:35:00 Sales rank: 1, 971 Special Features Feature-length audio commentary by director Rob Reiner, writer Nora Ephron and actor Billy Crystal; 7 deleted scenes; Original theatrical trailer; 7 featurettes: What Harry Meeting Sally Meant, I Love New York, Stories of Love, It All Started Like This, When Rob Met Billy, Creating Harry and So, Can Men and Women Really Be Friends? Scene Index Disc #1. When Harry Met Sally 1. Credits/Title/Intro [2:45] 2. Life Story [7:26] 3. Men and Women [4:04] 4. It's You [3:04] 5. Amendment [5:54] 6. Somebody Else [5:15] 7. Beautiful Friendship [10:28] 8. Growing Up [4:16] 9. Faking It [7:06] 10. To Helen Back [9:27] 11. The Rules of Love [6:44] 12. The Morning After [8:30] 13. A Mistake [1:49] 14. Just Beautiful [4:29] 15. Old Friends [10:32] 16. End Credits [3:26] Videos Preview Most Helpful Customer Reviews See All Customer Reviews.
Ready for the meet-cute? Sally Albright meets Harry Burns when the two of them drive from college at the University of Chicago to New York City to start their new lives. They spend the trip bickering like an old married couple. Their main point of contention? Harry's belief that men and women can't be friends because sex will always get in the way. Sally begs to differ. After eighteen hours in a yellow station wagon, they part ways in Greenwich Village. "Have a nice life. Five years later, Sally's boyfriend is seeing her off at the airport. They run into Harry, who's on Sally's flight. While traveling, Harry and Sally get to talking—okay, bickering—about Harry's confirmed belief that men and women can't be friends, mainly, before parting ways once again… … until five years later, when they run into each other at a bookstore. Newly divorced, Harry seems a bit sadder, but also a bit nicer. He and Sally get to talking; she just ended her relationship, too. They agree to become friends. And they do. They live the ultimate friendship for a while: they can say anything to each other. They watch TV together over the phone. Harry helps Sally get a Christmas tree. They karaoke together. Basically, they're everyone's dream besties. That is, until they sleep together. Yeah, that doesn't go so well. The morning after, Harry bails, a bit freaked, and Sally's clearly hurt. The two don't talk for weeks, finally reuniting at their friends' wedding, where they get into a knockdown, drag-out, Sally-slaps-Harry fight. Looks like Harry was right—men and women can't be friends, because sex will always get in the way. Best friendship: kaput. Harry calls Sally, oh, a dozen times. He wants to apologize, but she just won't pick up the stinkin' phone. When she finally does, he invites her to be his date on New Year's, but she says no dice: I'm not your consolation prize. Cut to New Year's Eve. Harry's alone, and pretending he's not miserable. Sally's out with her friends and not even bothering to pretend she's not miserable. As he meanders through the empty streets of New York, Harry realizes something: he's in love with Sally. He rushes to the party, and just as the clock strikes midnight, the two reunite. Harry gives her the skinny: he loves her, he wants to be with her, and that's that. After a wee bit of protesting, Sally returns his affections and the two kiss—like ya do at the end of a rom com. No more hemming and hawing. These two get their happily ever after. Scene 1 Scene 1 Wait. Where's Billy Crystal? On screen, an old couple tells the story of how they met, presumably to an off-screen interviewer. The man was sitting in a restaurant when a beautiful girl walked in. He turned to his friend and said, you see that girl? I'm going to marry her. And he did. Two weeks later. "Fifty years later, and we're still married. Ain't that nice? Scene 2 Scene 2 It's 1977 at the University of Chicago. A couple—Billy Crystal and his on-screen girlfriend—exchanges I-love-yous and starts making out. rather vigorously. A blonde in a Farrah Fawcett do—that would be Meg Ryan—pulls up in a car and ahems them to attention. The brunette introduces the blonde—Sally—to her boyfriend, Harry. Harry offers to take "the first shift. but Sally declines and tells him to pop his gear in the trunk. Looks like these two strangers are going on a road trip. After a lovey-dovey goodbye, interrupted by a not-so-accidental honk from Sally, Harry hops in. The two drive through the gates and head out on the road. Scene 3 Scene 3 Sally says she's got it figured out. "It" being their road trip schedule. We're getting the sense she's a bit of a control freak. She's telling Harry about her plan when he starts rummaging around the backseat and pulls out a bunch of grapes. He's not exactly a neat eater, and Sally seems a little disgusted. They've got 18 hours to kill before they hit New York, so Harry wants to hear the story of Sally's life. He finds out that she's headed to New York so she can go to journalism school and become a reporter and have stuff, you know, happen to her. Harry doesn't seem to think this is the best idea. He wonders what it would be like if nothing ever happened to Sally and she dies alone in New York. Um, depressing. That's what it would be like. Harry has a dark side, it seems. Sally claims she does, too, but we can tell that's probably not true. Basically she's a happy person—so sue her. Harry's all, do you ever think about death. He does—for hours, days. We're betting Sally doesn't think about death, well, ever. One thing she does think is that all this negativity is going to ruin his life. Scene 4 Scene 4 A few hours later, the pair is arguing about Casablanca. We thought everyone pretty much agreed on the awesomeness of that movie, but Harry and Sally have found a point of contention: they totally disagree on the ending. Sally thinks the ending makes sense—she wouldn't want to be married to some guy who owns a bar in Casablanca, even if that guy happened to be Humphrey Bogart. Harry thinks that makes no sense. Who wants to live in a passionless marriage? Oh, wait. Harry knows why Sally likes the ending: she hasn't had any good sex in her life. Well, that's a big assumption. Sally begs to differ, and accidentally announces that fact to the diner they've just walked into. It's awkward. Harry pushes it. With whom did she allegedly have such great sex? Sheldon, that's who. Harry's skeptical that a guy with a name like Sheldon could have great sex with Sally. (Sorry, Sheldons of the world. The views expressed by Harry to not represent those held by Shmoop. Or Sally, for that matter. The two are interrupted by a waitress, who takes their orders. Harry wants a "number 3. while Sally's order is a bit more… persnickety. She's got all kinds of very specific requests. Harry looks at her like she's got an elephant trunk growing out of her forehead. He wants to know why she broke up with Sheldon. After demurring a bit, Sally tells him it was because "he was very jealous, and I had these days-of-the-week underpants. It's really only something you can understand if you watch the scene, so here you go. Scene 5 Scene 5 A few minutes later, they've finished their meal, and Sally is splitting the bill. Harry's staring at her. Uh oh. He tells her she's very attractive. At first, Sally's flattered, and then it hits her: he's hitting on her. Or at least that's what she thinks. Harry denies it. "Can't a man say a woman is attractive without it being a come-on. He tries to take it back, but according to Sally, it's already out there. They've got to let it lie. Harry has never let a thing lie in his life. He invites her to spend the night in the hotel. Sally tells him that they're just going to be friends, but Harry says no dice. See, according to Harry, men and women can't be friends because the sex part always gets in the way. Surprise, surprise: Sally disagrees. She's got tons of dude friends. Yeah, who all want to sleep with you, Harry says. Guess we can't be friends then, Sally says. The next day, the two arrive in New York and part ways in Greenwich Village. They shake hands, tell each other to "have a nice life. and that's about it. End of movie. Wait. That can't be right… Scene 6 Scene 6 We cut away to another adorable old couple. The woman tells us that they fell in love in high school. But they split up because his parents moved away. Star-crossed lovers, much? Ah, but he never forgot her. Thirty-four years later, he saw her on the street in New York City. They looked at each other, and it was "just as if not a single day had gone by. Swoon. Scene 7 Scene 7 Five years later, and we're at the airport. Sally is making out with a handsome blonde man. Harry hustles by and recognizes… the man. His name's Joe. Sally's relieved he didn't notice her. She gives Joe the skinny on their disastrous road trip. "It was the longest night of my life. Thinking back, she remembers what he said about the fact that men and women can't be friends. She wants to know if Joe thinks the same. As they part ways, Joe drops the L-bomb and she says it back. Looks like these two are serious. Sally's still swooning from the I-love-you exchange as she sits on the plane. Harry's head pops up over the seat as he's trying to scope her out. He can't quite place her. And then she orders her drink. It's exactly as persnickety as her diner order, and it all comes flooding back. "University of Chicago. Harry says. He switches places with Sally's seat partner so the two can chat, much to Sally's annoyance. Harry starts to ask about her life. He knows she and Joe have been together about a month, and tells her how he knows: because Joe is still willing to take her to the airport. He wants to know if the two are going to get married. Sally demurs. But he sees an opening and he tells her that he's getting married. Sally seems frankly amazed that he found someone willing to marry him: It's just so optimistic of you, Harry. She's happy he's embracing life, but Harry tells her the real reason he's getting hitched: he's tired of the dating life. He's really tired of doing the "white man's overbite. The plane lands and the two run into each other on a moving walkway as they head out of the airport. Harry invites her to dinner—just as friends, of course. Sally calls him out: didn't he once say that men and women can't be friends? Harry assures her that they can—if they're both involved in relationships. No wait, that won't work either, he realizes. So where does that leave them? Absolutely nowhere, folks. Sally says her goodbyes and hustles down the walkway. Scene 8 Scene 8 Let's meet some more old folks, shall we? The man tells us that they were married forty years ago—for three years. And then they got divorced. Then he married someone else. Divorced. Then someone else. Divorce. Then they ran into each other at a funeral, of all places. He couldn't take his eyes off her. They went for coffee, and a month later they got hitched again, 35 years to the day after their first marriage. The man smiles at her. Scene 9 Scene 9 Another five years have passed. Sally's sitting at an outdoor cafe with two of her female friends, talking about boyz. One of them—played by Princess Leia, oops we mean Carrie Fisher—is complaining about how her boyfriend is never gonna leave his wife. Then Sally drops the bomb: she and Joe broke up. But she's not that upset. Marie whips out her Rolodex filled with men. She's wants to set Sally up with someone. This gal moves fast. Sally doesn't want to date anyone. She's just not interested in a "transitional man. But Marie thinks she should act fast. Scene 10 Scene 10 We're at a football game and the crowd is doing the wave. Everyone, that is, except Harry and his friend. Good for them. Harry tells his friend—that would be Jess, played by Bruno Kirby—that his wife Helen left him. Yep, Harry's getting divorced. It turns out the two were having some problems. Helen mentioned that she wanted a trial separation. They had barely agreed to that when the movers showed up at the door. They'd been booked for a week. So she had been planning this. And as it turns out, it's all a lie. Helen fell in love with a tax attorney, like ya do, and she moved in with him. So much for Harry being madly in love. Scene 11 Scene 11 Marie and Sally are in a bookstore, talking about Marie's married boyfriend. He just dropped over a hundred bucks on lingerie for his wife. The dude is clearly not leaving her. Marie knows it, but she doesn't seem to want to believe it. Then Marie notices a man staring at Sally. Lo and behold, it's Harry. Just when Sally's dismissing the encounter because Harry never remembers her, Harry walks up and says "Sally Albright. Harry seems different somehow. He's being, well, nice. When he asks after her, Sally tells him that she and Joe parted ways. Harry confesses that he's getting divorced. Harry wants to know what happened. Scene 12 Scene 12 Harry and Sally are at lunch, chatting up a storm. Sally tells the story of the big break up. She and Joe used to be happy together because they thought they had it made—they weren't married, had no kids, and could do, well, whatever they wanted. Including sex on the kitchen floor. Well, they could have, anyway. And everyone they knew who did get married definitely didn't have the time or inclination for sexytimes and romantic adventures. But Sally realized that their life wasn't the big fantasy they thought it was. She wanted marriage. And kids. The whole shebang. Joe? Not so much. And that, folks, was the end of that. Sally swears she feels fine. She's totally over him. Harry's super impressed at how healthy she sounds. The two walk outside after lunch and exchange some banter. Harry confesses he didn't like her very much the first time they met. Ditto, says Sally. Harry apologizes for being a jerk all those years ago on their road trip, and Sally asks him to dinner—as friends, of course. Looks like Harry's old adage about friendships with the opposite sex is being disproven… Scene 13 Scene 13 We meet yet another old couple. They adorably tell their story, all while talking over each other. These two had a whole bunch of near-misses. They were born in the same hospital and grew up right near each other. They even worked in the same building. But they never met. So wait, how are they together? They met in an elevator at the Ambassador Hotel in Chicago, of all places. And he rode up nine extra floors just to keep talking to her. How's that for a meet-cute? Scene 14 Scene 14 We're treated to a montage of sorts. While Harry and Sally go about their daily business, we hear a voiceover of a typical phone conversation between the two. We see them at work, eating lunch, hanging out at home, and running errands together. On the phone, they discuss Casablanca —they're watching together, but alone, in their respective apartments. Harry calls out Sally for saying she agrees with Ingrid Bergman choosing Victor Lazlo in the end. She denies ever saying it. Roll the tape, folks. She totally did—all those years ago on the road trip. Harry drops it, and the two move onto a different topic. Harry's not in a good place after the divorce. He's not sleeping and he's totally down in the dumps. Sally admits she went to bed at 7:30 the other night, but she swears she's not depressed. She doesn't miss Joe. Not even a little. Harry, on the other hand, misses Helen like whoa. The last scene of Casablanca comes on, and the two watch as Ingrid Bergman breaks poor Bogey's heart. Harry praises Ingrid Bergman for being low-maintenance. A total LM. Sally wants to know if she's low-maintenance or high-maintenance, and Harry tells her she's the worst kind of woman: Sally thinks she's low-maintenance, but really she's high-maintenance. We mean, we've seen her order, right? As the movie— Casablanca, not When Harry Met Sally —draws to a close, the two say goodnight and Harry tells Sally he plans to stay up and moan all night. Which he does. Scene 15 Scene 15 Harry and Sally are strolling the streets of New York and discuss sex dreams. Sally shares her one and only sexual fantasy: a nameless, faceless man rips off all her clothes. And… scene. Harry's unimpressed. Cut to the Met—in the Ancient Egypt room. Harry decides to talk in a weird accent, and makes Sally repeat after him: waiter, there is too much pepper on my paprikash. But I would be proud to partake of your pecan pie. In the same voice, he asks her to the movies. He makes a joke about her having a hot date, but as it turns out, she actually does. He drops the accent—and his guard. He thinks it's great that she has a date. Then he tells her to wear a skirt. She looks good in skirts. Sally thinks it's time for Harry to get back in the dating saddle, but he disagrees. Poor Harry isn't ready yet. Scene 16 Scene 16 Cut to the two of them discussing their dates. Neither one went well. Sally's date actually used a strand of her hair as floss. Yeah, you read that right. Harry's date wasn't the problem. It was that she went to Michigan State, which reminded him of Helen, and he lost his marbles. Sally tries to find solace in the fact that this just takes a long time. It might be ages before they're each able to sleep with someone new. Well, not so much, says Harry. He still slept with his date, despite the fact that he had a full-blown panic attack over dinner. Scene 17 Scene 17 Harry and Jess are in some batting cages, practicing their swings. Jess doesn't get it: how can Harry be friends with Sally, who's a woman? He thinks Harry has subconsciously friendzoned himself in order to sabotage his own happiness. The idea being, he should just be with Sally. Harry, on the other hand, is proud of himself. He likes that he can say anything to Sally—he's not trying to impress her. There's no taboo subject between them. Hmm. They actually do sound like friends, don't they? Scene 18 Scene 18 Appropriately, the movie cuts to Harry and Sally having a rather illicit conversation over diner food. Harry's describing how he can sleep with a woman and then ditch her before the morning. For her part, Sally thinks that makes him "a human affront to all women. Harry's all—hey, they're not complaining. And he knows because they… [insert suggestive hand gesture. Sally calls him out—how does Harry know that the women he sleeps with aren't faking their— ahem —pleasure at his performance? Harry swears he would know if they were. Sally's skeptical. But instead of hashing it out, she opts for a demonstration…... fakes an orgasm in a diner full of people. Harry just sort of stares at her: you done yet? Sally grabs a bite of her pie, and the lady at the table next to them says, I'll have what she's having. Scene 19 Scene 19 It's winter. In fact, it's New Years. A newly beardless Harry is scooting Sally around the dance floor. The two are clearly enjoying each other's company. The moment turns a little romantic as the two dance cheek to cheek. Their dance slows. Harry closes his eyes. They head out on the deck as midnight approaches and share a chaste kiss to celebrate the new year. Scene 20 Scene 20 Another day, another old couple. The woman tells the story: the two of them were counselors at neighboring boys' and girls' camps. They met at a camp dance. He introduced himself as "Ben Small, of the Coney Island Smalls. And she says that's when she knew. Who can resist a Coney Island Small? Scene 21 Scene 21 Sally and Marie are hustling down a New York street at night. Marie confesses that she sent herself flowers from a fake "Jonathan" in order to make her married boyfriend jealous, in the hopes that might make him leave his wife. Which he's not going to do. Girl, get over it. As the two chat, we learn that Sally is trying to set up Marie with Harry. Then we cut to Harry and Jess, and we learn that Harry is trying to set up Jess with Sally. Jess is skeptical. Harry has said that Sally has a good personality, which must mean she's "not that attractive. Dude. It's Meg Ryan. At dinner, we see that the two set-ups aren't going that great. An awkward silence ensues. And then something happens. Marie quotes Jess's article—to his face—not realizing that he wrote it. The two hit it off. After the date, Jess and Marie grab a cab together, leaving Harry and Sally alone together on the street. Well, at least the date was a success for two out of the four? Scene 22 Scene 22 Yet another old couple tells their love story. They lived in neighboring villages and had an arranged marriage. They weren't supposed to meet until the wedding day, but the groom wanted to know what she looked like, so he spied on her before the wedding. He liked what he saw, and agreed to marry her. And they've been married for 55 years. Scene 23 Scene 23 Harry and Sally are shopping at The Sharper Image. Apparently, they're buying something for Jess and Marie. It's been four months, so we can assume that Jess and Marie are now an item. Perhaps Harry and Sally are after a housewarming gift—or maybe even an engagement gift? Harry spies a karaoke machine and the two sing an impromptu duet of "Surrey with a Fringe on Top. As Sally takes her solo, Harry freezes. He sees something. And it's not making him happy. It's his ex-wife—and she's coming this way. Plus she's got her new squeeze on her arm: Ira. Yep. It's about as awkward as you'd imagine. Harry swears he's "perfect. and then says he thinks Helen looks like she's retaining water. Good one, Harry. Way to be. Scene 24 Scene 24 A few hours after the disastrous Sharper Image encounter, Harry and Sally arrive at Jess and Marie's place, armed with a plant. They're helping Jess and Marie move into their new apartment. Jess shows them the coffee table he likes—it's a wagon wheel. With a glass top. It's straight-up hideous. But Jess won't back down. As the two argue over furniture, Harry listens on, looking wistfully out the window. He compares them to him and Helen. They started off like this, too. All fun and games and silly fits over coffee tables. But down the line, it will all go to hell in a handbasket. Basically, he tells them that they're headed for a miserable divorce, just like him. He rushes outside. We guess that run-in with Helen really threw him for a loop. Sally marches outside to talk some sense into Harry. She tries to give him some advice, and he snaps at her. He doesn't understand how she never gets upset about Joe. He calls her out for not dating anyone else, and she doesn't see how that would prove she's over Joe. She rants at him a bit, and when she's done, Harry apologizes and the two hug. Out comes Jess with the wagon wheel coffee table. "Don't say a word. Scene 25 Scene 25 The gang's at a party, playing pictionary. Sally furiously draws a baby and the party guests guess literally anything that could have to do with a baby, including a very emphatic "BABY FISH MOUTH. from Jess. Best. Guess. Ever. Sally's date tells her it made perfect sense to him, and the two share a smooch while Harry looks on, perhaps a little jealous. As Sally heads to the kitchen to help Marie with the coffee, she sees Harry smooch his date, too. Do we detect some jealousy on her part as well? Marie and Sally chat in the kitchen, while Harry and Jess chat in the den. Sally thinks Harry's date is too young for him. Harry thinks Sally's date is too tall. Oh, when will these two crazy kids figure it out? Scene 26 Scene 26 Harry's at home reading a book. Sally calls. She's blubbering incoherently. It turns out Joe's getting married. And hoo boy is Sally a mess. She invites Harry in and tells him that Joe called her to let her know that he's tying the knot. So if she's over him, as she claims to be, why's she so upset? Well, it turns out she feels totally rejected. The whole reason she left Joe, after all, was that she wanted marriage—he didn't. But as it turns out, he did. He just didn't want to be married to Sally. Oof. That's gotta sting. Harry comforts her and gives her a hug. Then he kisses her—just a little peck. Then they hug some more. Then he kisses her again—just a little peck. But then Sally kisses Harry. And it's not just a peck. The scene cuts to the two of them in bed together, clearly post-coital. Harry looks like a deer in headlights. Sally looks like a deer on cloud nine. Yikes. She fetches some water from the kitchen, sighing and swooning all the way. When Sally comes back to bed, things are clearly awkward. They go to sleep, and when Sally wakes up, she finds Harry already dressed and headed for the door. They make plans for dinner later, and then he makes like a banana and splits. Pardon Harry's skid marks. Scene 27 Scene 27 Sally calls Marie. Right when Harry calls Jess. Marie and Jess are pumped that Harry and Sally have sealed the deal. They totally belong together. But both Harry and Sally confess that afterwards, things got weird. Jess and Marie are bummed, but understanding. They get off the phone as quickly as possible and snuggle each other gratefully. Scene 28 Scene 28 Harry and Sally go to dinner, both intending to tell the other that sleeping together was a mistake. They agree, but it's awkward, and it's clear something has broken between these two. Then they make like bunnies and… eat salad. Who doesn't love a good salad after a DTR? Scene 29 Scene 29 A few montagey scenes—of Harry and Jess talking and Sally and Marie chatting—tell us that some time has passed. And that means it's time for Jess and Marie's wedding. During the ceremony, there's clearly some tension between Harry and Sally, what with all the awkward eye contact they're making. And then comes the reception. It's ten kinds of terrible. Here's what goes down: Harry walks up to Sally and tries to make small talk. Sally's not having it. She doesn't want to talk. Harry wants to know why they can't get past it. It's been three weeks. Which, according to Sally, is not very long. Sally's frustrated because she thinks Harry is acting like it didn't mean anything. But Harry thinks she's making it mean too much. What's the big deal? They both agreed it was a mistake, right? That's when it all goes south. He says he didn't go over there intending to make love to her, but when she looked up at him with her sad, teary eyes and he just… couldn't help himself. Or something. Ah, so it was pity sex? Yeah, we see Sally's slap coming a mile away, don't we? Scene 30 Scene 30 Harry and Sally spend the holidays alone. Harry keeps calling, apologizing, and trying to get Sally to pick up the phone. No dice. He tries everything: groveling, singing, clever banter. Nothing works. When Sally finally does pick up the phone, he apologizes and asks her out for New Years, seeing as how neither one of them has a date. But Sally says no. She's not his "consolation prize. Scene 31 Scene 31 Cut to New Year's Eve. Harry's home alone, and Sally's at a big shindig, dancing rather lacklusterly with a boring but handsome man. Harry takes a walk, and we hear his internal monologue. He's clearly trying to convince himself he's not miserable without Sally. Sally's equally miserable at the party, and she wants to head home early. Meanwhile, Harry eats sad ice cream and then throws the leftovers into a sad trashcan. Then he sadly puts his sad hands in his sad pockets. He finds himself at the place that he and Sally parted ways when they first got to New York: Washington Square Park. He flashes back on their entire relationship, and we hear their original conversation about how it's impossible for men and women to be friends. Harry has a moment of clarity. He's realized something. Ah, we think we know what. He takes off running. Because this is a romantic comedy. And that's what one does at the end of a romantic comedy. Sally, meanwhile, is leaving the party. Even though it's almost midnight, she just can't take it anymore. As she walks out of the ballroom, Harry bursts in the door. She steels herself, nose up and defiant as Harry walks right up to her and tells her that he loves her. She's not having it. She thinks he's just lonely. Confessing his love doesn't erase everything that's happened. Harrumph and phooey. So Harry channels his inner Cary Grant and delivers the ultimate romantic speech. He names everything he loves about Sally—the fact that she gets cold easily, that she's a persnickety food-orderer, that she gets a crinkle above her nose when she thinks he's crazy, that he can smell her perfume on his clothes, and that she's the last person he wants to talk to when he goes to bed at night. He wants to spend the rest of his life with her. So there. Sally's still mad, but she's also clearly touched. She says she hates him, but we know she means the opposite. The two kiss. Scene 32 Scene 32 We hear a voiceover of the couple sharing their story—just like the old couples have throughout the movie. Now, they're married. They tied the knot three months after they finally got together on New Years. And they had a super delicious cake—chocolate sauce on the side, of course.
Sally is honestly the best. If you notice, she doesn't shake Helen's hand as if she's angry for Harry! That's best friend goals right there. I absolutely love this movie! It has everything a great movie should have: a clever, witty, romantic, touching, and absolutely hilarious script, and fantastic performances. Billy Crystal and Meg Ryan make the perfect couple, because they start off as friends but end up in love. Another reason why this movie is so great is because it appeals to both women and men. Everyone should see "When Harry Met Sally" because it's one of the best romantic comedies I've ever seen.
So how men choose a wife? If they already want to nail any woman attractive or not.
When Harry Met Sally. Movie streams
“HARRY: Voice-over)The first time we met we hated each other. SALLY: Voice-over) You didnt hate me, I hated you. (beat) And the second time we met, you didnt even remember me. HARRY (Voice-over) I did too, I remembered you. (a long beat) The third time we met, we became friends. SALLY: Voice-over) We were friends for a long time. HARRY: Voice-over) And then we werent. SALLY: Voice-over) And then we fell in love. SALLY Three months later we got married. HARRY It only took three months. SALLY Twelve years and three months. ” ― Nora Ephron, When Harry Met Sally.
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Overview System Requirements Reviews Related Available on Xbox One HoloLens PC Mobile device Xbox 360 Description Does sex make it impossible for men and women to be true friends? The film chronicles this dilemma through the eleven-year relationship between Harry and Sally, who meet in college, then pursue their own lives, until they reconnect ten years later. Additional information Genres Comedy Romance Romantic Comedy Size 5. 54 GB (1080p HD) 2. 92 GB (720p HD) 1. 63 GB (SD) Portions of content provided by Tivo Corporation. 2020 Tivo Corporation.
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